🦇 call me elijah or isa (eye-za)
💀 they/it, 22, transmasc lesbian (im a dyke)
🔞 please don’t follow if you’re under 18
‼️terfs/radfems fuck off

🦇 call me elijah or isa (eye-za)
💀 they/it, 22, transmasc lesbian (im a dyke)
🔞 please don’t follow if you’re under 18
‼️terfs/radfems fuck off
manager in the fanfiction universe: I don't care how many flower petals you're coughing up. You need to come in today
do interact if: you have a hyphenated last name, you're an older sibling, you have a cat, art was your favorite subject, you have kissed your friends, you really like at least one field of science, watch nature documentaries, you drank from the hose, you've been involved with the production of a musical but you never listened to hamilton, have at least one stick-n-poke, drink coffee every day, you have a favorite houseplant, prefer little and big spoon equally, have a dietary restriction, have dyed your hair green, or have been somewhere that you don't speak the language
For both cis and trans people, family, peers, and mass media provide models for appropriate gendered behaviour, beginning in early childhood and extending through the life course. Learning through enactive experience occurs as individuals engage in gendered behaviour, observe how others respond, and adjust their behaviour accordingly. Early-life punishment for gender nonconformity is often regarded as a characteristically trans experience. In reality, however, not only do cis people share similar enacted experiences, but successful discouragement from gender transgression constitutes much of the cisgender phenomenon.
any account of 'socialisation' that acts as though people who don't have some kind of 'identity'-based reason not to fulfil the expectations of that socialisation necessarily have a good & okay time with it is a failed account, imo
— Noah Zazanis, Social Reproduction and Social Cognition: Theorizing (Trans)gender Identity Development in Community Context
comedies that turn into tragedies when the fucked up stuff played for jokes suddenly gets treated with the severity and realness that it would get in real life are genuinely my weakness and hit so much harder than tragedies that start off with the sad stuff.
like not only is the audience caught in the whole "boiling the frog" thing with the comedy slowly become a tragedy but it reveals that the characters are as well; that the previous comedy was only perceived as a comedy because the characters had no clue that what they were going through was not normal and just lighthearted fun. the audience realizes it as the characters do, making them both more sympathetic and their arcs all the more tragic as you look back on what previously happened.
could you imagine being so small you dont even know whats happening
oksu.mansu_
[id/ fluffy orange and white cat is comfortably curled in a basket or cat bed with a beige and white checkered gingham cover, fast asleep. /end id]